Tuesday, April 16, 2013

Fireside Chat Artist Statement


Artist Statement:
I was unsure at first if the type of story I wanted to tell would work, but I came to realize that it is similar to Tillie Olsen’s I Stand Here Ironing.  Olsen’s work does follow some type of chronology, but instead of focusing strictly on time, it’s more of stages of life and the emotions and difficulties that are accompanied by it.  It is a thematic reflection more than an Aristotelian structured narrative.
With the piece I produced, though I did follow things in chronological order (with one flash back), really I was just sharing my process of discovery as I came to learn more about the topic I’ve presented.
I purposefully chose to have more of what I often felt and could not easily express large on the Power Point behind me.  Some of it was a bit exaggerated, but that was intentional as well.  My initial point is that because emotion is so hard to express I often hyperbolize.
I was a bit worried about the picture of the cow pie I included.  I wasn’t sure how people would react to it and if it would be inappropriate.  I’m glad I kept it though, and actually liked the response I received.  I make sure not to stay on it too long.
I was a witness again to the importance of sharing ideas with others.  I didn’t have a concise ending to my thought process until I spoke to my friend Joslyn about my idea.  That was when she told me that she and her boyfriend had had a similar conversation with her boyfriend and the conclusion they came to that love needs to be involved in order to best show emotion, there needs to be love for the other person.  That brief conversation gave me the ending I needed to my presentation.

Tuesday, April 2, 2013

Concerned Citizen



Artist Statement 
The Master of the universe, He who has, “all power…in heaven and in earth” (Matt 28:18) still took the time to meet with people on an individual level.  He met with those who were despised, sick and otherwise afflicted.  He showed mercy upon sinners, rebuked those who were quick to judge, and instructed those of higher social standing.  He has the power to instantaneously administer to the cosmos as a whole, but has always decided to work with individuals and be personable with the one.
Most individuals do not have the momentum backing them up to invoke large social change.  There is nothing wrong with that.  The fact of the matter is that all different types of people are needed to create a working community, and some are needed to direct the masses while others are to administer to others on a one-on-one basis.  If everyone who was capable would do that, we would all have someone helping us.  No one would go forgotten.
It seems to me that the elderly often feel forgotten.
Our concerned citizen didn't start out playing music hoping to someday perform for old folks homes.  He started learning how to play the penny whistle just for his own personal enjoyment.  He had already participated in multiple performances before his first concert for a group of senior citizens.  The warm reception he received made him aware of how important it was to bring a little culture, a little human contact, a little spark of Christian service to these people who are otherwise generally cooped up and separated from the world and community as a whole.  It was enlightening and invigorating and ended up changing his life for the better.
            As was mentioned in Goldbard’s, Human Rights and Culture: From Datastan to Storyland, the right to culture was defined as such in 1948, and has largely been granted to the public by artists.  Much like the diagram you drew on the board, art (or media) has a give and take relationship with culture and civilization.  Artists either create according to their perception of the world, or how they think the world should be, and the recipients of their messages then have to decide how to respond.  In other words, as long as others perceive their words, artists are constantly either capturing and/or creating culture.
            Blaine Elliott’s band Tullymore is doing just that.  They have not written any original songs.  They capture culture based upon what other artists created before them.  But, because the music they play is not current and mainstream, the echoes of the past create a new culture for the hearers, and they appreciate it.
            We often associate well-known humanitarians with real service, such as Jesus Christ, Mother Theresa, or more recently President Thomas S. Monson. While they certainly have made huge contributions to society in their efforts, that does not lessen the value of the common man's service. At the end of our piece we include a quote from President Monson. We did so not to sound didactic but to draw a clear connection between the works of a world-recognized leader and an average man.   
            Touching the lives of those around us is a divine gift.  There is much good we can do.  If God notices even the sparrow’s fall, nothing and certainly no one is without significance.  As we follow the examples of those around us, normal people who are just trying to lift the spirits of fellow beings, we will be emulating the Savior of the world.